How do you use EQ on drums?

Table of Contents

Remove any low-end rumble using a high-pass filter, up to 50 Hz depending on the mix.
Boost the fundamental frequency of the kick, typically between 60 and 120 Hz (or cut if there’s too much)
Remove any mud in the low-mids, typically around 250 Hz.

How do you EQ drum rocks?

Kick Drum. Start by removing any necessary low end using a high-pass filter, typically up to 40 or even 50 Hz. Next, emphasize the low-end of the kick drum with a shelf EQ—typically around 80 to 120 Hz. BASSROOM can help you fine-tune the low-end.

How do you EQ acoustic drums?

The best is to use a separate EQ to cut the ringing sound out. Use a narrow Q, boost all the way up and sweep the boost across the frequency spectrum until the ringing sound pops out at you. When you find it, simply reverse your boost to get rid of the ring. Rinse and repeat.

Should you EQ your drums?

Besides setting static fader mixes, using EQ early in a drum mix is one of the best ways of getting your drums sounding great. Improvised EQ curves rarely help when starting a drum mix.

Do you need to EQ drum samples?

SO…it doesn’t matter how amazing your samples sound, if they don’t fit alongside your other tracks or are covering them up, you need to use EQ to help things gel together better. They are not excused from any EQ treatment simply because they are MIDI tracks or virtual instruments.

How do you EQ 808?

Here’s how:

Add a compressor to the 808.
Route the kick into its sidechain input.
Set the attack to its fastest value, so that every time the kick hits, the 808 turns down momentarily. This will shave the transient off the 808.
Adjust the release until the 808 returns naturally to full volume after the kick hits.

Do I need to EQ virtual instruments?

How do you mix room drums?

Engineers often use extreme compression settings on drum rooms. Try a ratio of between 4:1 and 10:1 with a fast attack time and fast release. Gain reduction of between 3dB – 9dB is common.

What is a room mic for drums?

On instruments like drums, room mics can make or break a song. In classical recordings, they allow for the natural bloom and transients of the instruments in the room to come through and are sometimes the only mics necessary to capture a full orchestra. In rock recordings, room mics can make guitars sound huge!