Is Jesus loves me this I know public domain?
1870 to 1885 collection is in the public domain and is free to use and reuse.
Is for all the saints in public domain?
How, 1864. Music: ‘Sine Nomine’ Ralph Vaughan Williams, 1906. Setting: The English Hymnal, 1906. copyright: public domain.
When the death dew lies cold on my brow?
I’ll love Thee in life, I will love Thee in death, And praise Thee as long as Thou lendest me breath; And say when the death dew lies cold on my brow, If ever I loved Thee, my Jesus, ’tis now.
Who wrote Jesus love lyrics?
Anna Bartlett WarnerJesus Loves Me (Lullaby) / Lyricist
What is the story behind for all the saints?
The name of this tune, meaning “without a name,” is probably in homage to the numerous believers (saints) who have died and are not specifically commemorated by name in services of the church. The hymnal editors used eight stanzas of How’s 1871 text, omitting the stanzas for apostles, evangelists, and martyrs.
Who wrote Sine Nomine?
The Missa Sine nomine is a setting of the Ordinary of the Mass by Renaissance composer Josquin des Prez. It is a work of his maturity, probably dating from the period after he returned to Condé-sur-l’Escaut in 1504.
What is the origin of the song Jesus Loves Me?
“Jesus Loves Me” is a Christian hymn written by Anna Bartlett Warner (1827–1915). The lyrics first appeared as a poem in the context of an 1860 novel called Say and Seal, written by her older sister Susan Warner (1819–1885), in which the words were spoken as a comforting poem to a dying child.
Who wrote for all the saints who from their labors rest?
William Walsham How
This hymn for liturgical saints days was written by William Walsham How (1823–1897) and first published in Hymn for Saints’ Days, and Other Hymns (London: Bell & Daldy, 1864 | Fig. 1), compiled by Horatio Nelson (1823–1913, 3rd Earl Nelson of Trafalgar House, Wiltshire).
What is a mass Sine Nomine?
From Wikipedia, the free encyclopedia. A Missa sine nomine, literally a “Mass without a name”, is a musical setting of the Ordinary of the Mass, usually from the Renaissance, which uses no pre-existing musical source material, as was normally the case in mass composition.