Which Bach fugue has the most voices?
[To Juozas Rimas] The Matthaeus-Passion (BWV 244) has (I think) the right to claim the title of the most voices in a Bach work (especially in the 3 version of 1742, with the Ripieno Sopranchor). Also such works as BWV 680 and 686.
How many voices are in Bach’s fugues?
three voices
Bach’s Fugue No. 2 in C minor, BWV 847, from the Well-Tempered Clavier, Book 1 illustrates the application of most of the characteristics described above. The fugue is for keyboard and in three voices, with regular countersubjects.
What is the hardest Bach fugue?
Bach’s most complex fugues
- Confiteor, from BWV 232.
- Fugue in E major, BWV 878 (WTC II)
- Contrapunctus VIII, from BWV 1080.
- Fugue in F# minor, BWV 883 (WTC II)
- Fugue in E-flat major, BWV 552.
- Fugue in B-flat minor, BWV 867 (WTC I)
- Chorale prelude ‘Christ unser Herr zum Jordan kam,’ BWV 685.
- Fugue in B minor, BWV 869 (WTC I)
What is the easiest Bach fugue?
The easiest fugue in the WTC is arguably no. 15 WTC II in G major. However you do not need to start at the WTC. Bach wrote several easy – relatively speaking – fugues (around grade 5) for the instruction of his sons.
How many voices are not allowed in a fugue?
Most fugues are in three or four voices (“à 3” or “à 4”), but not all of these are used at any given moment; it is common for an episode to proceed in as few as two voices.
What is Bach’s longest fugue?
Among Bach’s works, we find the longest subjects (with a length of 64 tones) as the D major fugue BWV 532, which is of so-called Spielfuge type and the G major fugue BWV 577 (dance fugue, “gigue”). The longest subject among other composers is the second fugue on BACH by Robert Schumann.
In which voice is the subject of the fugue heard?
In a fugue, the subject is presented in two different scales. The first time, it is heard in the tonic (I) and the second time, it is heard in a second voice 5 tones higher than the tonic, in the dominant key (V).
What level is Musette in D?
Intermediate Level
126 (Intermediate Level) Bach — Piano Sheet Music.
What is the first section of a fugue called?
The first section of the fugue is the exposition. The exposition begins with one of the voices presenting the subject or theme of the fugue. A second voice follows with the answer (we will discuss later what makes an answer different to the subject). The other voices continue presenting subjects and answers.
What is the difference between Episode 1 and Episode 2 of Fugue?
In Episode II, the melodic figures emplyed in the Treble and Bass of Episode I are reversed. There are no devices of Augmentation, Diminution, or Inversion employed, et owing to the strongly characteristic nature of the first limb of the Subject this is a very interesting and closely knit- though somewhat irregular- Fugue.
Is this fugue a real fugue?
This Fugue has a “real” Answer, and would be styled as a “real” Fugue. In Episode I, a new melodic figure is introduced in the Treble, the Alto and Tenor being made up of the Second limb of the Subject, while the Bass is formed from its first group of demisemiquavers (thirty-second notes).
How many bars are there in a fugue?
This short Fugue – containing only fifty bars in all – is an extraordinary example of conciseness throughout. In its treatment of the important device of Stretto it is entitled to the chief place of honour in this collection.
What is a coda in a fugue?
Coda: Bars 47-50. This Fugue has a “real” Answer, and would be called a “real” Fugue. All the Episodes are constructed upon the last four notes of the Subject. Of such importance is this short melodic figure that on one occasion or another it is used exactly one hundred times throughout the Fugue.